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The Birth of Rock!

October 6, 2015 by Mehdi 'Eddy' Hassan Leave a Comment

It was in the beginning of the 1960’s, when ‘Electric Blues’ (orphaned and looked down upon child) that survived in the ghettos of America, found a new home in Britain. Within few years it evolved into a tsunami of sound that came crashing back on the American shores. It tore down all barriers and converted generations of Americans into Rock Lovers.

It further spread to the other continents, and even decade after decades its strength increased. It spawned Psychedelic Rock, Art Rock, Hard Rock, Heavy Metal, and yet many more to come…

Songs to listen to:

Smoke Stack Lightening

Hoochie Coochie Man

The Stone’s Age

There is a strange attraction between the blues and Britain, and this very chemistry essentially provided the birth bed for Rock music. It was plain Blues music that thawed out the emotional permafrost of 1950’s Britain. There was many blues bands in 1960’s UK music scene, from ‘John Mayall’s Blues breakers’ to ‘The Yardbirds’ but the best appreciation came from ‘The Rolling Stones’, formed in 1962, the band took its name from a classic Muddy Water’s song.

The Stones (as they are called in modern times) were initially satisfied by just doing blues covers, but the story changed when they opted for their own version of the blues music. They mixed British pop art ideas with the American Rhythm ‘n’ Blues, and the offspring (though still heavily laden with Blues undertones) was the sound and concept of Rock to come.

Satisfaction

 

The Rise of the Guitar Gods

Soon the number of Blues influenced bands increased, especially in the cities of London, Liverpool and New Castles. Bands like The Animals, The Who combined into the ruckus and the loudness of their acts was eventually heard in America.

To American audience the music produced by these British Bands was as surprising as it was revealing. They were awestruck as they saw young brats from Britain consuming the vibes of the Blues and reproducing it in the frenzied shape of Rock.

The most striking were the iconic use of the electric guitar. A boy in America would not have imagined how ‘sexy’ a guitar player would look (and become) before he saw the likes of Pete Townsend or Eric Clapton or Jeff Beck.

Who Generation

When it comes to picking a pioneer, a band that could be depicted as the first to sound ‘Non Bluesy’, then none other fits the bill better than ‘The Who’ an uncompromising, loud and aggressive band from London.

The Who’s high octane performances gave rock a harder edge, they were the first out and out rock band, as the energy that resonated in their live performances was never heard or experienced before. The music of The Who also defined that the unified attack of bass guitar and drums was a necessity for the ‘Rock Sound’. The rebellion of The Who started off with their song ‘My Generation’, the voice that it gave to the anger and frustration of the contemporary youth turned it into an emblem.

One clear sign of The Who’s pivotal status in Rock is the fact that while ‘The Who’ took it out into the streets; where the youth would be, other bands were playing their songs sitting on stools in pubs…

With The Who rock music had an element of real danger, as they gave a completely new meaning to rock performance. They showed how a three piece Rock band should look and sound. Their total mastery of stage and somewhat destructive tendencies inspired generations of Rock performers.

My Generation

Art and Psychedelia

While The Rolling Stones added their sexual swagger and pop art ideas to the Blues and The Who exploded through the R ’n’ B barrier with their dominant stage synergy, Pink Floyd emerged with their psychedelic art rock.

Formed in 1966, Pink Floyd took Rock into a new direction of endless possibilities; they introduced social problems and self-searching individual concepts into main stream music. For the first time in its early development, Rock music wasn’t just an outlet for excessive energy and cheap thrills.

Although their charismatic lead singer and song writer Syd Barret left the band in its inception (c 1968) Pink Floyd went on with their experimental ways. They developed a sound following as an underground band and then went on to become a worldwide phenomenon with their album ‘The Dark Side of the Moon’.

Echoes

Time

Dark, Loud n Heavy!

There is often talk about luck or chance; how it sets things in motion. Rock music has plenty of such moments: from Jimi Hendrix’s visit and incessant rise in Britain to the formation and rise of the Black Sabbath; the most prestigious and yet controversial band in the history of Rock.

In 1965, while working in a metal factory in Birmingham, budding guitar player Toni Iommi accidently cut the tips off his fret board hand. Fate might have been working against him but Iommi didn’t give up, he made artificial finger tips with melted plastic bottles and painstakingly modified his guitar playing.

To accommodate the loss of strength in his fingers, he slackened the guitar strings and hence introduced the notorious de-tuned heavy sound into the realm of Rock.

Black Sabbath was formed in 1968, the founding four members; Bill Ward on drums, Geezer Butler on Bass, Toni Iommi on guitars, and the young lunatic Ozzy Osborne, all  had the sound of heavy pounding machines of Birmingham’s metal factory embedded in their subconscious, the resulting dark, heavy and menacing band sound (topped by Iommi’s de-tuned guitar) was positively inevitable.

Although all the music pundits hated Black Sabbath from the day one, they started a new era in Rock with their first (self-titled album) and it is no wonder that their music is still inspiring new age rockers with the same zeal.

Black Sabbath

Iron Man

 

Filed Under: Blog and News Tagged With: birth of rock, Black Sabbath, Eric Clapton, hoochie coochie man, iron man, Jeff Beck, my generation, ozzy osborne, Rock, satisfaction, smoke stack lightning, syd barret, the animals, the rolling stones, the whopete townsend, toni iomi

Whoa Mama!

June 16, 2015 by Mehdi 'Eddy' Hassan Leave a Comment

Whoa… I actually had to wait (at least) for 30 minutes to write anything after ‘Whoa’ to let my goose-bumps subside! The first 12 bars of the first song (The Way You Do It) I played on my stereo system were enough to blow my mind.

Whoa MamaThe paper-weights on my desk are still dancing, riveting on the groovy rhythm. My mind still looks for some signs of conclusion. Still unable to admit, I try to find some info about the band ‘Whoa Mama’, but there isn’t much; except the three released songs. Finally, I contacted my editor and –to my pleasure- I was told that ‘Whoa Mama’ is actually a new band, not some uncut rough diamonds from the 1970’s.

Without getting a peak at their looks or attire, I would dare to guess (and comment) that the band must be living in the 70’s: every single note they play or sing, every rhyme they make, even the tones of their instruments (tuning of the snare on the drums for example) screams loud about the classic blues rock era!

And the three gems of polished songs (available on the YouTube) are enough to tell that the members of ‘Whoa Mama’ know every hit classic rock song by heart. You would find colors of every 70’s hit act in their songs, from Ted Nugent to Tommy Bolin for guitar sounds to Jim Morrison-Janis Joplin-David Coverdale vocal frolics.

Whoa MamaThe first song I heard ‘The Way You Do It’ is a gut wrenching ballad, with intoxicating and dreamy vocals. It is more like messy love making and frantic day dreaming, packaged in a crazy but lucid flowing vibe. Apart from vocals, I absolutely adore the guitar chops… riffs, sweet phrasing with articulate runs, and an enchanting tone on the top of it.

Song ‘All for Nothing’ is more like an orgy between Jimmy Page (Led Zeppelin) and David Coverdale (White Snake) signature styles and sound. It is a rejuvenating representation of classic blues rock.

The song ‘Bloody Mary’ is drifting somewhere between the giant rockers Black Sabbath and Free. Immense feedback drenched guitar tone, swift and subtle changes in the groove and timing; it is enough to get you drunk without the need to indulge in any other substance.

‘Whoa Mama’ is absolute Rock, absolutely psychedelic…

I am eagerly waiting for more material from this great band.

Filed Under: Reviews Tagged With: 70s, Black Sabbath, bloody mary, blues rock, David Coverdale, free, groovy, Janis Joplin, Jim Morrison, Jimmy Page, Led Zeppelin, Music, new music, review, reviews, Rock, Ted Nugent, the way you do it, Tommy Bolin, White Snake, whoa mama

White Limo

June 9, 2015 by Amanda Gegg 1 Comment

Always a fan of musicians that broaden their horizons to let their music spread to a wider audience, I was very happy to be introduced to new Swedish rock collective, White Limo, with their inviting mix of melodic rock and unpredictable tempos.

Of course, you must recognise the intentional link of their band name to the world-renowned Foo Fighters song. This is no accident, especially with their sound teaming with inspiration from the Foos, along with very noticeable hints of Queens of the Stone Age and Biffy Clyro. This, as you can imagine, is no bad thing and this stimulus, combined with White Limo’s unique and impressive range, leaves you not knowing what to expect next.White Limo

The opening track on the ‘Magic Formula’ EP entitled Winter Rain, is definitely a commendable choice to draw listeners in with it’s subject matter juxtaposing the upbeat tone in the style of modern day rock bands such as Imagine Dragons. Our introduction to White Limo’s talent begins here with an enticing play on tempo that definitely leaves people like me wanting to hear more.

The next track Girl on Fire is another song I would predict as a popular choice for fans, drawing you in with an instantly catchy riff, leading through some lighter melodies and building to a more powerful chorus. This track, for me, really underlines why they consider themselves much more rock than indie.

Exclusive 2-track free download of White Limo!

The next two tracks Horizon and Black Roses really take you on a bit of a nostalgic train of thought back to ‘the noughties’, with that focal point of the bass guiter that is widely recognisable to those of us who grew up listening to rock in this era. Then low and behold we’re back to the modern day with that last track on the EP, Daylight, and the band once again show us why they are strong contenders to the new strain of melodic rock that has emerged in recent years (which also, of course, incorporates the most influential elements of past inspirations).

I think rock fans would be advised to take note of White Limo, as I have no doubt they will be hitting the mainstream at a rate quicker than they can have ever predicted. And good luck to them!

Filed Under: Reviews Tagged With: black, daylight, dragons, EP, fighters, Fire, foo, formula, girl, horizon, imagine, limo, magic, melodic, Metal, rain, review, Rock, roses, sweeden, upbeat, white, winter

Sleep Star Ignition

May 26, 2015 by Amanda Gegg Leave a Comment

It’s quite a rare thing to be impressed by a band as quickly as I was by Sleep Star Ignition…

Obviously the main reason for this is their immediately infectious modern take on ‘punk meets post-hardcore’ in their new EP Matters of Heart and the Will to Burn, lead by the diverse range of vocalist Nick Villars. But when you look a little bit closer you can see that their whole ‘get up’ is impressively put together, ranging all the way from their energetic, alternative sound to the slick branding of their website and album cover. These guys are pretty much rock stars on their own terms already and it is just a question of time before the rest of the world sits up to take note, which I have no doubt they will.

So who exactly are the people that make up this four-piece Ohio-based ensemble? Alongside the previously mentioned Nick Villars, there is Bob Tallman on guitar, Zach Madden on bass and Zach Bender on the drums. Moreover, having only formed in early 2013 with the will to spread their profound message through heartfelt lyrics and upbeat melodies, it is hard to believe that they haven’t been together for longer. The chemistry is very obviously in the right time and the right place for these guys.

Sleep Star IgnitionTheir latest EP Matters Of Heart And The Will To Burn is made up of five songs. With first track ‘Lunar Transmission’ immediately alluding to a sound similar to predecessors such as You Me at Six by jumping in the deep end with a more pensive, intense sound that really hooks you in. In the next two songs ‘The Forge’ and ‘Boardwalk’, Nick Villars proves why his vocals are perfect for this genre of music and immediately throws in some impressive and diverse range, with the perfect amount of harmony mixed in.

With the last two tracks ‘Gone Home’ and ‘The Beauty and the Doubt’, we are strongly reminded of the bands main influencers which would definitely include Taking Back Sunday and Brand New and seeing as there now appears to be a gap in the market, it would seem it is the perfect time for Sleep Star Ignition to act. And as I said earlier, they are pretty much there already with the word spreading as we speak. I know I certainly can’t wait to hear the next EP.

Check out more from Sleep Star Ignition:

Official Website – sleepstarignition.com/
Facebook – www.facebook.com/SleepStarIgnition
SoundCloud – soundcloud.com/sleep-star-ignition

Filed Under: Reviews Tagged With: Alternative, Bob Tallman, EP, ignition, lunar transmission, matters of the heart, Metal, new music, nick villars, ohio, Pop, post-hardcore, Punk, release, review, reviews, Rock, sleep, sleep-star-ignition, star, taking back sunday, will to burn, Zach Bender, Zach Madden

Best of Enemies

May 19, 2015 by Mehdi 'Eddy' Hassan Leave a Comment

Best of EnemiesThe kind gents from The Best of Enemies are offering music on bandcamp for just £0.99. Why aren’t you there yet?

Best of Enemies is a four piece band from London. Although the energetic four haven’t been together for too long they are already playing to packed fanatic crowds, their debut single “Brother” was released in July 2014. The press has taken heartily to the band, and it is already being nicked as ‘the new face of English Rock’. Considering their relatively new arrival, it is a big achievement.

Best of EnemiesI just went through the debut EP ‘Stay Young, Trust Me’ by Best of Enemies: the first thing that rings through my mind is that it must be a real worth listening to them live. Not to say that they are any way behind when it comes to studio recordings, the EP is very skillfully created and the production is on par with any modern outfit.

The four tracks presented on the debut EP are full of interestingly carved professional pegs, for example; all the songs are upbeat (which is a must to entice younger audience). There are some great harmonies supporting the lead vocalist, and especially the chorus part is well designed for a great sing-along, pretty clever!

The first song on the EP, ‘You are a Good Mate, Really’ is a brightly packaged song about the bond of friendship. Second song (Ignorance is Bliss) is a dark –darker- but energetic piece about mindsets of neglected youth; nothing could be more appropriate for a youth oriented output. Third song ‘Hope and Dreams’ is again a collective mantra about the fancies and disappointments of youth, and the fourth song (Wasting Away) is just a personalized anecdotal version of the ‘Hope and Dreams’.

The rhythm section is punchy and stable, and the best thing about Best of Enemies is the singing of the lead vocalist Sam Christmas, he is absolutely on the tune and his -delivered to perfection- vocal dynamics tell me, that Best of Enemies have quite rightfully started fast, and they are here to stay long!

Filed Under: Reviews Tagged With: band, bands, Best of Enemies, energetic, English, harmonies, ignorance is bliss, London, Music, review, reviews, Rock, Sam Christmas, stay young, trust me, wasting away, you’re a good mate really

Second Chance Rising: Spreading the Message of Hope

April 21, 2015 by Amanda Gegg Leave a Comment

Although perhaps not for everyone, there can be no argument about Christian rock being synonymous with feelings of love, hope and support. This is very true in the case of Second Chance Rising, the most recent band to emerge from the American South with a very succinct message to share.

Second Chance RisingI’m not sure about anyone else but as someone who used to be an avid follower of 00s American rock bands such as Matchbox Twenty, I found it quite a pleasant surprise to be reunited with this sound in Second Chance Rising. The melodic harmonies of the guitar combined with a distinctly ‘old school’ rock persona certainly make for an uplifting message being sent to the listeners. This is of course alongside a very clear religious resonance, which is undoubtedly the directive of the band’s set up, which some people may chose to take or leave if they are just interested in the music itself.

Second Chance Rising

Copyright: 2013 Big Play Productions

Along with the warm rock feel that Second Chance Rising offer us with their four-track EP, there is a distinct air of melancholia which becomes all the more apparent by the third and fourth songs Celebrate This Life and Cancer Sucks! Furthermore, it sadly turns out the band’s manager and vocalist Ray Oubre has experienced the cruel reality of being diagnosed with cancer and becoming aware of this makes the message about turning to religion and making the most of life all the more prominent for those who connect with the sincerity of the music.

Regardless of whether or not you connect with the religious message of Second Chance Rising, there can be no doubt that their take on Southern American rock is a type of music you can ‘turn to’ when you’re feeling down, in the same way people often turn to religion. Therefore, I would go as far as to say that the band are successful in their aims and will surely appeal to the hearts of many who have experienced tragedy in their lives by spreading their uplifting message of hope and faith.

Filed Under: Reviews Tagged With: cancer, Celebrate, Chance, Christian, Country, EP, Hope, Life, Message, Oubre, Ray, Rising, Rock, Second, South, Southern, Support

You’re Smiling Now But We’ll All Turn Into Demons

April 7, 2015 by Casey Douglas Leave a Comment

Demons

Population IV is the Portsmouth band’s latest album and it’s certainly a textured and flowing listening experience. From the airy vocals of The Sorcerers to the easy rhythm of Hothouse, the album takes you on a fuzzy and infectious trip through the hills and valleys of wah wahs and deep riffage.

I like my music to conjure images in my mind and to that end, Population IV doesn’t disappoint. There were two tracks that did this especially well. Chapel Perilous starts with a laid back and light melody that eases you into a pleasing rhythm before turning heavy as hell around the midpoint. If there was ever a soundtrack for a weary traveller climbing to a mountaintop temple only to find it has been overrun with demons, this is it. The other track I wanted to mention is Hothouse, the almost sun-infused riffs igniting the images of a long desert highway and a roaring biker riding into the sunset, relaxed and cruising before gunning the bike to even greater speed as the track tempo ramps up towards the end.

DemonsAll of the tracks are enjoyable, expansive and a great accompaniment to whatever you might be up to, infusing the air with the psychic feelings of flow, ease and groove. They’re also a great listen as the main focal point of your attention; the textures and flourishes in the rhythms and guitar enough to hook your mind like a floundering fish and still its motion as it dangles on each note.

The band formed in Portsmouth in 2002 and consists of Thomas Bone, Steve Hanby, Ryan “Howitzer” Howarth and Richie Troughton. They have a number of gigs coming up in the next few months: March 8th at the Shacklewell Arms, London, and on May 2nd at the Kraak Gallery, Manchester. Go and see them if you can, you owe it to yourself!

You can hear Population IV on the band’s BandCamp page here.

Filed Under: Reviews Tagged With: band, bone, casey, chapel perilous, douglas, hanby, heavy, hothouse, population IV, portsmouth, psychedelic, Richie, riffage, Rock, Shacklewell arms, steve, studios, the sorcerers, Thomas, troughton, WMD, YSNBWATD

Time for your Jagged Little Thrills

March 31, 2015 by Mehdi 'Eddy' Hassan Leave a Comment

It’s sexy! Not the pretty polished back street boys sexy, but the real deal; if you know what I mean, wink, wink.

If (you think) your musical taste is slightly mature, then, you might play it once and move on to some other links about n-sync reunion hoax. But, Jagged Little Thrills are like the ‘hot mama’ you may not notice at a mere glance. Don’t be afraid! Take another look, play the songs once again, get over the numbness of cheesy songs you have been hearing till now, and you will be bulldozed by the voluptuous raw energy floating to –and through- you.

Well I -might- acknowledge, the vocals may not pass the tuner test (or guitars might go off tune/tempo) here and there. But, when was the last time you heard such raw and energetic voice? I can’t remember anything like this; it’s been a long, long time.

Like every –meaningfully- successful rock act Jagged Little Thrills are a strange mix, the stability of Tom Wright (bass) and ‘Late Night’ Rob Gray (drums) is providing a hot platform for the searing vocals of Thomas Wright (vocals) and, Dave Vegas and Matthew ‘Weg’ Wetherill’s combined beefy guitar chops.

Jagged Little ThrillsReportedly, these five friends got together in the early 2014 to put forward their own blend of Punk/Indie/Rock sound, and it seems that they manage to get it right. It didn’t take them long to establish in the big league, right from the start, when they performed in a little pub in Northampton back in the early 2014. The inspirations are quite wide: from Nirvana to The Clash and from Queens of Stone Age to White Stripes.

It is no wonder that renowned producer Alan Emptage (who has worked with artists such as Adam Ant, Eric Clapton and Skunk Anasie) will be working with them on their first EP (starting early 2015)

I am already addicted to their single ‘Streets of Berlin’, as I look forward to hear a ‘Big’ and thrilling complete album from the Jagged Little Thrills. I just hope it comes out sooner!

Check out Jagged Little Thrills on Facebook – www.facebook.com/Jaggedlittlethrills

Filed Under: Reviews Tagged With: alan emptage, guitar, hassan, Indie, Jagged, Jagged-little-thrills, Little, medhi, Music, nirvana, northampton, Punk, queens of the stone age, recording, review, Rock, rocknroll, studios, Thrills, wmd. wmdstudios

How happy are we? Dead Happy

February 24, 2015 by Mehdi 'Eddy' Hassan 1 Comment

It is always debatable, as it is purely ironic: Industrial Music’s purpose was to set a new trend; a narrative clarifying the themes in modern society, by especially avoiding the stale rules or standards put in place by the forbearers. As its earlier forms (Punk etc.) blatantly failed to disassociate with the slave’s blues (and hence the progressive purity of Rock) Industrial seems to have fed on its own tail, as it had been declared ‘Anti-music’.

Truth is: whenever a person picks a guitar (whether plugged or unplugged) and pluck more than one –simultaneous- notes on it, it is bound to produce Rock ‘n’ Roll…

Well… sorry for the boring history (genre) lesson. But it had to be imparted; in an effort to comment or depict Dead Happy.

They are being called ‘Freaky Disco Metal’, the name might sound funny, but it does make sense! AND it would clearly help them to get out of the ‘Industrial’ tag or label. Their influences do seem to come from the music of Nine Inch Nails and Mindless Self Indulgence, but they run ahead and differentiate; maybe by a hair’s breadth.

Dead Happy came into being around 2012, based in West Midlands, the dynamic duo Jason Oakley and Jamie Hough have been producing a unique blend of electronica and metallic mayhem.

Where Jason handles: vocals, keyboards and programming of music, while Jamie takes care of guitars and bass (also providing a hand on keyboards when needed)

Along with freaky music, Dead Happy has the capacity of entertaining their audiences with complementing live shows (which defines their sound following)

They were signed by Coffee Jingle Records Label in the late 2014, and their debut EP ‘Banana God’ has been released on 31 January 2015, there are at least 3 different mixes of the song available right now, and it is a must listen for Rock, Metal, Party, Soundtracks’ lovers alike.

So do check it out!

Band Links:
Website = www.deadhappyband.com
Facebook Page = www.facebook.com/DeadhappyBand
Soundcloud Page = soundcloud.com/deadhappy

Filed Under: Reviews Tagged With: Banana God, Coffee Jingle Records, Dead Happy, Disco Metal, guitar, Industrial Music, Metal, Mindless Self Indulgence, Nine Inch Nails, Rock

An absolute motherfaster!

January 20, 2015 by Mehdi 'Eddy' Hassan

Well, whoever holds the opinion that ‘Rock is Dead’ should face the Motherfaster!

MotherfasterThe above statement is a light in the dark for all lovers of heavy and pounding sounds of ‘Heavy Metal’ and Rock: from those who have had cut down their locks and cried in the night hearing Justin Biebers’ being played over and over on the radio, to those who have sold their soul and taken the distortion pedals out of the effect’s chain –to produced cleaner/lighter sounds- just to feed their (Sunday School going) kids…

Ironically, Motherfasters is producing the darkest music (in their genre) that I have heard in the contemporary acts so far. Their menacingly corrupting songs include tales of a wide range of insane realities: from topics like drug-sex-abuse to serial-rapists and laments-of and about-gods to underworld-gangsters.

Yeah, not the stuff for Sunday Schools…

Motherfaster is: a three piece ‘Rock Machine’, driven by the Ozzy influenced vocal antics of Paminos (who also holds the Bass guitar) with Bill fanatically rendering riffs after riffs; that could put smiles on Toni Iommi’s face, and then they have Jim thrashing drums -while keeping the trio steady at the same time. The trio is (surprisingly) from Athens, Greece. These three got together in the fall of 2011, and after some initial experiments (and around a dozen gigs during 2012, 2013) they took the applause of their fans seriously, and conjured up a studio album (March 2014).

In November 2014 they released the first single ‘The nymph and the god’ which was featured in the compilation CD Fear Candy No 138, that comes with Terrorizer magazine (Issue 254) along with some other existing bands.
It is needless to say, but the moment you play Motherfaster, the first thought that hits you is: “Oh my god, this is the rebirth of Metal…”

If I hadn’t been keeping an eye on the aging monsters of Black Sabbath, I would have mistaken Motherfaster for their pseudo name. Motherfaster has got the same musical chemistry going, only with a refreshed and original zeal.
Their sound ranges from Hard (Blues oriented) Rock to Heavy Metal, very much into pioneer’s style, and the feel of it tells about the varying influences of Sabbath, Pantera, Judas Priest and even Black Label Society at times.

My favorite pick is 24/7 (the song about Mafia Guy) with its in-your-face attitude. So far Bill has impressed with his guitar chops, but I would love to hear him using less takes/layers during guitar solos.

In conclusion, Motherfaster gets thumbs up from me; with a middle finger attached to it…

Links:
Motherfaster Official Website
Motherfaster on ReverbNation

Filed Under: Reviews Tagged With: Athens, Bass Guitar, Black Label Society, Black Sabbath, Blues, darkest music, drums, fear candy, Greece, heavy, heavy metal, Judas Priest, Metal, Motherfaster, new music, Ozzy, Pantera, pounding, review, reviews, riffs, Rock, Rock is Dead, rock machine, Sabbath, Terrorizer magazine, The nymph and the god, Toni Iommi

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