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If there’s a band we want to see in the UK…

February 3, 2015 by Mehdi 'Eddy' Hassan

I would be unfair to cradle Slow Burning Car in just one big creative embrace. They have a wide spectrum of vibes emanating out of their musical instruments.

Slow Burning Car - The Scattering Vol.2I developed this ‘discourse’ especially listening to their latest album ‘Assumption’. The output is varying in sounds from RnB to Heavy Metal. Some songs play like ‘Red Hot Chili Pepper’ and some appear to have fallen out of Robert Plant’s retro Led Zeppelin closet.

When the song ‘Tread Not on Me’ started, I had to check whether I had put on Eric Clapton’s playlist by mistake! The further surprise was: when the bridge part of the same song brought the blazing ‘Sex Pistols’ back into my ears; bizarre is the right word for it.

Slow Burning Car is: Troy Spiropoulos who handles Lead and backing vocals, as well the bass guitar (also stints with keyboards, sound effects etc.) Troy’s songwriting aspirations come from mythology/theology to the reality of life and common observations. The guitarist Duc ‘Jimmy’ Le is not only an established sound engineer, but he also has an impressive brand of hand-crafted effect pedals assigned to his name. Last but not the least is the drummer Mike Zimmerman; his open hi-hat floundering quite obviously hints at greats like John Bonham and Buddy Rich (hence the Zeppelin like feel in some of their songs).

Slow Burning Car - AssumptionThe music produced by this dynamic trio can be called ‘Experimental’, but this is the third studio album by Slow Burning Cars, so I would stick with the ‘Progressive’ element. To name a few from the past albums, the song ‘Fabien’s Stroll’ from their second album ‘The Scattering – Vol.2’, gave me some goose bumps. Its eerie, it’s psychedelic, and it is much more enchanting than any other (ballad) songs they produced. My second pick would be ‘The Scorpio Complex’ for its raw n inclusive psychedelic experimentation; it sounds as if the whole band got into a minivan and recoded it live….

From a creative perspective, their previous albums (Blow Back and The Scattering) are more colorful, while Assumptions has a straighter to ‘Alternative Rock’ approach. It is noticeable that the band is finally settling down for a ‘Sound’. It is also evident that, as a band, Slow Burning Car had been more focused on the ‘Live Sound’ rather than their studio outputs.

There is one unique quality emerging out of their experimentations: they have a different (yet classical) touch in their ballads, so my analysis (suggestion) would be, to hear them focusing on the ballads and more on singer-songwriter genre than their efforts to please a live crowd with piercing and grungy acts.
Slow Burning Car is doing circuit around Los Angles, California, while also touring Europe (UK).

Peace and Love, in the troubling times!

Links
Slow Burning Car’s Official Website

Filed Under: Reviews Tagged With: alternative rock, Ballads, Bass Guitar, Blow Back, Buddy Rich, California, Classical, creative, Duc ‘Jimmy’ Le, Eric Clapton, Experimental, Fabien’s Stroll, Grungy, guitarist, heavy metal, John Bonham, keyboards, Led Zeppelin, Live Sound, Los Angeles, Mike Zimmerman, mythology, new music, Progressive, psychedelic, Red Hot Chilli Pepper, review, reviews, RnB, Robert Plant, Sex Pistols, Slow burning car, sound effects, The Scattering, The Scattering Vol.2, The Scorpio Complex, theology, Tread not on me, Troy Spiropoulos, UK, Zeppelin

An absolute motherfaster!

January 20, 2015 by Mehdi 'Eddy' Hassan

Well, whoever holds the opinion that ‘Rock is Dead’ should face the Motherfaster!

MotherfasterThe above statement is a light in the dark for all lovers of heavy and pounding sounds of ‘Heavy Metal’ and Rock: from those who have had cut down their locks and cried in the night hearing Justin Biebers’ being played over and over on the radio, to those who have sold their soul and taken the distortion pedals out of the effect’s chain –to produced cleaner/lighter sounds- just to feed their (Sunday School going) kids…

Ironically, Motherfasters is producing the darkest music (in their genre) that I have heard in the contemporary acts so far. Their menacingly corrupting songs include tales of a wide range of insane realities: from topics like drug-sex-abuse to serial-rapists and laments-of and about-gods to underworld-gangsters.

Yeah, not the stuff for Sunday Schools…

Motherfaster is: a three piece ‘Rock Machine’, driven by the Ozzy influenced vocal antics of Paminos (who also holds the Bass guitar) with Bill fanatically rendering riffs after riffs; that could put smiles on Toni Iommi’s face, and then they have Jim thrashing drums -while keeping the trio steady at the same time. The trio is (surprisingly) from Athens, Greece. These three got together in the fall of 2011, and after some initial experiments (and around a dozen gigs during 2012, 2013) they took the applause of their fans seriously, and conjured up a studio album (March 2014).

In November 2014 they released the first single ‘The nymph and the god’ which was featured in the compilation CD Fear Candy No 138, that comes with Terrorizer magazine (Issue 254) along with some other existing bands.
It is needless to say, but the moment you play Motherfaster, the first thought that hits you is: “Oh my god, this is the rebirth of Metal…”

If I hadn’t been keeping an eye on the aging monsters of Black Sabbath, I would have mistaken Motherfaster for their pseudo name. Motherfaster has got the same musical chemistry going, only with a refreshed and original zeal.
Their sound ranges from Hard (Blues oriented) Rock to Heavy Metal, very much into pioneer’s style, and the feel of it tells about the varying influences of Sabbath, Pantera, Judas Priest and even Black Label Society at times.

My favorite pick is 24/7 (the song about Mafia Guy) with its in-your-face attitude. So far Bill has impressed with his guitar chops, but I would love to hear him using less takes/layers during guitar solos.

In conclusion, Motherfaster gets thumbs up from me; with a middle finger attached to it…

Links:
Motherfaster Official Website
Motherfaster on ReverbNation

Filed Under: Reviews Tagged With: Athens, Bass Guitar, Black Label Society, Black Sabbath, Blues, darkest music, drums, fear candy, Greece, heavy, heavy metal, Judas Priest, Metal, Motherfaster, new music, Ozzy, Pantera, pounding, review, reviews, riffs, Rock, Rock is Dead, rock machine, Sabbath, Terrorizer magazine, The nymph and the god, Toni Iommi

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