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Xander Demos puts his best shred forward!

June 23, 2015 by Casey Douglas Leave a Comment

Master guitar soloist Xander Demos puts his best shred forward!

Xander DemosSome modern rock/metal bands seem to throw everything and the kitchen sink into their music. Something that may be overlooked in their zeal is the guitar solo: sometimes short, sometimes long and meandering, but both give space in the track where someone can truly shine. Shred guitarist Xander Demos doesn’t overlook this and hearing him play reminded me of what other bands sometimes gloss over.

Fronting his own band XDB and performing in various tribute bands, he’s certainly an adaptable busy guy. I checked out the songs on the XDB Reverbnation page and certainly enjoyed what I heard: songs that harken to some of the giants of rock and metal, and instrumental tracks that allow the shredding to truly shine.

Dancing Through Daggers features frenetic fingering accompanied by clear and epic vocals that set this song up as a great partner to fantastic mental scenes. Under a Darkened Sky is home to a fast solo that rises and falls in tone and tempo but grabs the ear and won’t let it go. Boys of Summer has a grittier sound than the others, the song interspersed with solo flourishes that grow in duration and intricacy each time they occur. I enjoyed these songs, the lyrics painted pictures and the sounds and rhythms were catchy to the ear. Where Xander really shines in my opinion however, is the instrumental tracks.

White Knuckle Driving has a grainy sound that alternates between bass segments of relative calm and fast fingering solos that increase the pace once more. I loved the periods of peace where things breathe before being launched back into the soloing. If you keep the title of the track in mind, it’s easy to imagine a souped up Mustang crunching and shaking as it turns suicide bends, the quiet parts of the song accompanying when the driver momentarily loses control, the frantic parts giving a soundtrack to when control is regained once more.

Woodshed Sonata is another purely instrumental track. It begins with the sound-byte “Grab some wood there bub!” before the listener hears a deeper, heavier sound than the previous tracks: pounding drums and lower notes accompanied by periods of blistering soloing. I feel these instrumental tracks truly let the listener appreciate the finger work put into this kind of track, unhampered by vocals or other distractions.

Check out Xander Demo’s Reverbnation page below!

Xander Demos on ReverbNation

Filed Under: Reviews Tagged With: casey, Darkened Sky, douglas, guitar, knuckle driving, Metal, review, riff, shred, studios, WMD, Xander Demos, XDB

White Limo

June 9, 2015 by Amanda Gegg 1 Comment

Always a fan of musicians that broaden their horizons to let their music spread to a wider audience, I was very happy to be introduced to new Swedish rock collective, White Limo, with their inviting mix of melodic rock and unpredictable tempos.

Of course, you must recognise the intentional link of their band name to the world-renowned Foo Fighters song. This is no accident, especially with their sound teaming with inspiration from the Foos, along with very noticeable hints of Queens of the Stone Age and Biffy Clyro. This, as you can imagine, is no bad thing and this stimulus, combined with White Limo’s unique and impressive range, leaves you not knowing what to expect next.White Limo

The opening track on the ‘Magic Formula’ EP entitled Winter Rain, is definitely a commendable choice to draw listeners in with it’s subject matter juxtaposing the upbeat tone in the style of modern day rock bands such as Imagine Dragons. Our introduction to White Limo’s talent begins here with an enticing play on tempo that definitely leaves people like me wanting to hear more.

The next track Girl on Fire is another song I would predict as a popular choice for fans, drawing you in with an instantly catchy riff, leading through some lighter melodies and building to a more powerful chorus. This track, for me, really underlines why they consider themselves much more rock than indie.

Exclusive 2-track free download of White Limo!

The next two tracks Horizon and Black Roses really take you on a bit of a nostalgic train of thought back to ‘the noughties’, with that focal point of the bass guiter that is widely recognisable to those of us who grew up listening to rock in this era. Then low and behold we’re back to the modern day with that last track on the EP, Daylight, and the band once again show us why they are strong contenders to the new strain of melodic rock that has emerged in recent years (which also, of course, incorporates the most influential elements of past inspirations).

I think rock fans would be advised to take note of White Limo, as I have no doubt they will be hitting the mainstream at a rate quicker than they can have ever predicted. And good luck to them!

Filed Under: Reviews Tagged With: black, daylight, dragons, EP, fighters, Fire, foo, formula, girl, horizon, imagine, limo, magic, melodic, Metal, rain, review, Rock, roses, sweeden, upbeat, white, winter

Sleep Star Ignition

May 26, 2015 by Amanda Gegg Leave a Comment

It’s quite a rare thing to be impressed by a band as quickly as I was by Sleep Star Ignition…

Obviously the main reason for this is their immediately infectious modern take on ‘punk meets post-hardcore’ in their new EP Matters of Heart and the Will to Burn, lead by the diverse range of vocalist Nick Villars. But when you look a little bit closer you can see that their whole ‘get up’ is impressively put together, ranging all the way from their energetic, alternative sound to the slick branding of their website and album cover. These guys are pretty much rock stars on their own terms already and it is just a question of time before the rest of the world sits up to take note, which I have no doubt they will.

So who exactly are the people that make up this four-piece Ohio-based ensemble? Alongside the previously mentioned Nick Villars, there is Bob Tallman on guitar, Zach Madden on bass and Zach Bender on the drums. Moreover, having only formed in early 2013 with the will to spread their profound message through heartfelt lyrics and upbeat melodies, it is hard to believe that they haven’t been together for longer. The chemistry is very obviously in the right time and the right place for these guys.

Sleep Star IgnitionTheir latest EP Matters Of Heart And The Will To Burn is made up of five songs. With first track ‘Lunar Transmission’ immediately alluding to a sound similar to predecessors such as You Me at Six by jumping in the deep end with a more pensive, intense sound that really hooks you in. In the next two songs ‘The Forge’ and ‘Boardwalk’, Nick Villars proves why his vocals are perfect for this genre of music and immediately throws in some impressive and diverse range, with the perfect amount of harmony mixed in.

With the last two tracks ‘Gone Home’ and ‘The Beauty and the Doubt’, we are strongly reminded of the bands main influencers which would definitely include Taking Back Sunday and Brand New and seeing as there now appears to be a gap in the market, it would seem it is the perfect time for Sleep Star Ignition to act. And as I said earlier, they are pretty much there already with the word spreading as we speak. I know I certainly can’t wait to hear the next EP.

Check out more from Sleep Star Ignition:

Official Website – sleepstarignition.com/
Facebook – www.facebook.com/SleepStarIgnition
SoundCloud – soundcloud.com/sleep-star-ignition

Filed Under: Reviews Tagged With: Alternative, Bob Tallman, EP, ignition, lunar transmission, matters of the heart, Metal, new music, nick villars, ohio, Pop, post-hardcore, Punk, release, review, reviews, Rock, sleep, sleep-star-ignition, star, taking back sunday, will to burn, Zach Bender, Zach Madden

Full-bodied sound from Sentinel

April 16, 2015 by Casey Douglas Leave a Comment

Pectus Excavatum is a condition that causes the chest to look hollow due to deformity in the growth of the ribs. It can lead to cardiac and respiratory problems but I’m thankful to say, from the sound of Sentinel’s album Pectus Excavatum, there is no sign of the latter in Tom Watson’s vocals, nor any lack of heart in Louie Penfold, Dom Skinner, Richard Shearing’s playing.

Consisting of three tracks, the album is a compact and incisive mix of catchy hooks, fast-paced beats and crisp riffs. New Dawn has an infectious drumbeat, melodic guitar swells and a great expansive chorus. Even though the band lists Killswitch Engage, Bury Tomorrow and Trivium as influences, this track made me think a little of Tool in places. The Crown is a gritty track with an even faster-pace, growled lyrics and a blistering solo followed by a swaying heavy riff pattern. I Am Lucifer begins like a gentle breeze but suddenly turns into a gale as full-strength sound and distortion erupts into a pounding assault that is only punctuated with, you guessed it, another hook-laden chorus.

SentinelSentinel tick the boxes for me when it comes to giving an opinion on a metal band. I love brutal music and harsh, shouted lyrics, but I always have a soft spot for a catchy and sweetly sung chorus. I guess I like the storm followed by the calm, before the next storm. Music without this dynamic grows a little boring and tedious for me. Sentinel avoid this pitfall and give the listener a saliva-filled gust of feeling, carried in the space that the more relaxed chorus gives.

The band has a couple of gigs coming up at South Sea live, Broomhill, Sheffield in the next few months. The first is on the 19th April, the next the 30th April. I highly recommend you go and see them if you can, as if Pectus Excavatum is anything to go by, you are in for a treat.

Pectus Excavatum can be purchased on Bandcamp for any price you decide here : http://sentinelbanduk.bandcamp.com/releases

Filed Under: Reviews Tagged With: Bandcamp, Broomhill, brutal, casey, douglas, free, harsh, heavy, I am Lucifer, Killswitch, Metal, New Dawn, Pectus Exactum, review, Sentinel, Sheffield, studios, Trivium, WMD

How happy are we? Dead Happy

February 24, 2015 by Mehdi 'Eddy' Hassan 1 Comment

It is always debatable, as it is purely ironic: Industrial Music’s purpose was to set a new trend; a narrative clarifying the themes in modern society, by especially avoiding the stale rules or standards put in place by the forbearers. As its earlier forms (Punk etc.) blatantly failed to disassociate with the slave’s blues (and hence the progressive purity of Rock) Industrial seems to have fed on its own tail, as it had been declared ‘Anti-music’.

Truth is: whenever a person picks a guitar (whether plugged or unplugged) and pluck more than one –simultaneous- notes on it, it is bound to produce Rock ‘n’ Roll…

Well… sorry for the boring history (genre) lesson. But it had to be imparted; in an effort to comment or depict Dead Happy.

They are being called ‘Freaky Disco Metal’, the name might sound funny, but it does make sense! AND it would clearly help them to get out of the ‘Industrial’ tag or label. Their influences do seem to come from the music of Nine Inch Nails and Mindless Self Indulgence, but they run ahead and differentiate; maybe by a hair’s breadth.

Dead Happy came into being around 2012, based in West Midlands, the dynamic duo Jason Oakley and Jamie Hough have been producing a unique blend of electronica and metallic mayhem.

Where Jason handles: vocals, keyboards and programming of music, while Jamie takes care of guitars and bass (also providing a hand on keyboards when needed)

Along with freaky music, Dead Happy has the capacity of entertaining their audiences with complementing live shows (which defines their sound following)

They were signed by Coffee Jingle Records Label in the late 2014, and their debut EP ‘Banana God’ has been released on 31 January 2015, there are at least 3 different mixes of the song available right now, and it is a must listen for Rock, Metal, Party, Soundtracks’ lovers alike.

So do check it out!

Band Links:
Website = www.deadhappyband.com
Facebook Page = www.facebook.com/DeadhappyBand
Soundcloud Page = soundcloud.com/deadhappy

Filed Under: Reviews Tagged With: Banana God, Coffee Jingle Records, Dead Happy, Disco Metal, guitar, Industrial Music, Metal, Mindless Self Indulgence, Nine Inch Nails, Rock

An absolute motherfaster!

January 20, 2015 by Mehdi 'Eddy' Hassan

Well, whoever holds the opinion that ‘Rock is Dead’ should face the Motherfaster!

MotherfasterThe above statement is a light in the dark for all lovers of heavy and pounding sounds of ‘Heavy Metal’ and Rock: from those who have had cut down their locks and cried in the night hearing Justin Biebers’ being played over and over on the radio, to those who have sold their soul and taken the distortion pedals out of the effect’s chain –to produced cleaner/lighter sounds- just to feed their (Sunday School going) kids…

Ironically, Motherfasters is producing the darkest music (in their genre) that I have heard in the contemporary acts so far. Their menacingly corrupting songs include tales of a wide range of insane realities: from topics like drug-sex-abuse to serial-rapists and laments-of and about-gods to underworld-gangsters.

Yeah, not the stuff for Sunday Schools…

Motherfaster is: a three piece ‘Rock Machine’, driven by the Ozzy influenced vocal antics of Paminos (who also holds the Bass guitar) with Bill fanatically rendering riffs after riffs; that could put smiles on Toni Iommi’s face, and then they have Jim thrashing drums -while keeping the trio steady at the same time. The trio is (surprisingly) from Athens, Greece. These three got together in the fall of 2011, and after some initial experiments (and around a dozen gigs during 2012, 2013) they took the applause of their fans seriously, and conjured up a studio album (March 2014).

In November 2014 they released the first single ‘The nymph and the god’ which was featured in the compilation CD Fear Candy No 138, that comes with Terrorizer magazine (Issue 254) along with some other existing bands.
It is needless to say, but the moment you play Motherfaster, the first thought that hits you is: “Oh my god, this is the rebirth of Metal…”

If I hadn’t been keeping an eye on the aging monsters of Black Sabbath, I would have mistaken Motherfaster for their pseudo name. Motherfaster has got the same musical chemistry going, only with a refreshed and original zeal.
Their sound ranges from Hard (Blues oriented) Rock to Heavy Metal, very much into pioneer’s style, and the feel of it tells about the varying influences of Sabbath, Pantera, Judas Priest and even Black Label Society at times.

My favorite pick is 24/7 (the song about Mafia Guy) with its in-your-face attitude. So far Bill has impressed with his guitar chops, but I would love to hear him using less takes/layers during guitar solos.

In conclusion, Motherfaster gets thumbs up from me; with a middle finger attached to it…

Links:
Motherfaster Official Website
Motherfaster on ReverbNation

Filed Under: Reviews Tagged With: Athens, Bass Guitar, Black Label Society, Black Sabbath, Blues, darkest music, drums, fear candy, Greece, heavy, heavy metal, Judas Priest, Metal, Motherfaster, new music, Ozzy, Pantera, pounding, review, reviews, riffs, Rock, Rock is Dead, rock machine, Sabbath, Terrorizer magazine, The nymph and the god, Toni Iommi

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