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Whoa Mama!

June 16, 2015 by Mehdi 'Eddy' Hassan Leave a Comment

Whoa… I actually had to wait (at least) for 30 minutes to write anything after ‘Whoa’ to let my goose-bumps subside! The first 12 bars of the first song (The Way You Do It) I played on my stereo system were enough to blow my mind.

Whoa MamaThe paper-weights on my desk are still dancing, riveting on the groovy rhythm. My mind still looks for some signs of conclusion. Still unable to admit, I try to find some info about the band ‘Whoa Mama’, but there isn’t much; except the three released songs. Finally, I contacted my editor and –to my pleasure- I was told that ‘Whoa Mama’ is actually a new band, not some uncut rough diamonds from the 1970’s.

Without getting a peak at their looks or attire, I would dare to guess (and comment) that the band must be living in the 70’s: every single note they play or sing, every rhyme they make, even the tones of their instruments (tuning of the snare on the drums for example) screams loud about the classic blues rock era!

And the three gems of polished songs (available on the YouTube) are enough to tell that the members of ‘Whoa Mama’ know every hit classic rock song by heart. You would find colors of every 70’s hit act in their songs, from Ted Nugent to Tommy Bolin for guitar sounds to Jim Morrison-Janis Joplin-David Coverdale vocal frolics.

Whoa MamaThe first song I heard ‘The Way You Do It’ is a gut wrenching ballad, with intoxicating and dreamy vocals. It is more like messy love making and frantic day dreaming, packaged in a crazy but lucid flowing vibe. Apart from vocals, I absolutely adore the guitar chops… riffs, sweet phrasing with articulate runs, and an enchanting tone on the top of it.

Song ‘All for Nothing’ is more like an orgy between Jimmy Page (Led Zeppelin) and David Coverdale (White Snake) signature styles and sound. It is a rejuvenating representation of classic blues rock.

The song ‘Bloody Mary’ is drifting somewhere between the giant rockers Black Sabbath and Free. Immense feedback drenched guitar tone, swift and subtle changes in the groove and timing; it is enough to get you drunk without the need to indulge in any other substance.

‘Whoa Mama’ is absolute Rock, absolutely psychedelic…

I am eagerly waiting for more material from this great band.

Filed Under: Reviews Tagged With: 70s, Black Sabbath, bloody mary, blues rock, David Coverdale, free, groovy, Janis Joplin, Jim Morrison, Jimmy Page, Led Zeppelin, Music, new music, review, reviews, Rock, Ted Nugent, the way you do it, Tommy Bolin, White Snake, whoa mama

If there’s a band we want to see in the UK…

February 3, 2015 by Mehdi 'Eddy' Hassan

I would be unfair to cradle Slow Burning Car in just one big creative embrace. They have a wide spectrum of vibes emanating out of their musical instruments.

Slow Burning Car - The Scattering Vol.2I developed this ‘discourse’ especially listening to their latest album ‘Assumption’. The output is varying in sounds from RnB to Heavy Metal. Some songs play like ‘Red Hot Chili Pepper’ and some appear to have fallen out of Robert Plant’s retro Led Zeppelin closet.

When the song ‘Tread Not on Me’ started, I had to check whether I had put on Eric Clapton’s playlist by mistake! The further surprise was: when the bridge part of the same song brought the blazing ‘Sex Pistols’ back into my ears; bizarre is the right word for it.

Slow Burning Car is: Troy Spiropoulos who handles Lead and backing vocals, as well the bass guitar (also stints with keyboards, sound effects etc.) Troy’s songwriting aspirations come from mythology/theology to the reality of life and common observations. The guitarist Duc ‘Jimmy’ Le is not only an established sound engineer, but he also has an impressive brand of hand-crafted effect pedals assigned to his name. Last but not the least is the drummer Mike Zimmerman; his open hi-hat floundering quite obviously hints at greats like John Bonham and Buddy Rich (hence the Zeppelin like feel in some of their songs).

Slow Burning Car - AssumptionThe music produced by this dynamic trio can be called ‘Experimental’, but this is the third studio album by Slow Burning Cars, so I would stick with the ‘Progressive’ element. To name a few from the past albums, the song ‘Fabien’s Stroll’ from their second album ‘The Scattering – Vol.2’, gave me some goose bumps. Its eerie, it’s psychedelic, and it is much more enchanting than any other (ballad) songs they produced. My second pick would be ‘The Scorpio Complex’ for its raw n inclusive psychedelic experimentation; it sounds as if the whole band got into a minivan and recoded it live….

From a creative perspective, their previous albums (Blow Back and The Scattering) are more colorful, while Assumptions has a straighter to ‘Alternative Rock’ approach. It is noticeable that the band is finally settling down for a ‘Sound’. It is also evident that, as a band, Slow Burning Car had been more focused on the ‘Live Sound’ rather than their studio outputs.

There is one unique quality emerging out of their experimentations: they have a different (yet classical) touch in their ballads, so my analysis (suggestion) would be, to hear them focusing on the ballads and more on singer-songwriter genre than their efforts to please a live crowd with piercing and grungy acts.
Slow Burning Car is doing circuit around Los Angles, California, while also touring Europe (UK).

Peace and Love, in the troubling times!

Links
Slow Burning Car’s Official Website

Filed Under: Reviews Tagged With: alternative rock, Ballads, Bass Guitar, Blow Back, Buddy Rich, California, Classical, creative, Duc ‘Jimmy’ Le, Eric Clapton, Experimental, Fabien’s Stroll, Grungy, guitarist, heavy metal, John Bonham, keyboards, Led Zeppelin, Live Sound, Los Angeles, Mike Zimmerman, mythology, new music, Progressive, psychedelic, Red Hot Chilli Pepper, review, reviews, RnB, Robert Plant, Sex Pistols, Slow burning car, sound effects, The Scattering, The Scattering Vol.2, The Scorpio Complex, theology, Tread not on me, Troy Spiropoulos, UK, Zeppelin

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