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It’s eerie… It’s dark… It’s progressive… Or just simply, It‘s Froskull

March 17, 2015 by Mehdi 'Eddy' Hassan Leave a Comment

Listening to Froskull may not be an easy feat, for those of you who want their peanut butter and jelly on separate slices…

Froskull Album CoverOn the other hand, if your musical choices go beyond easy listening, and if you are looking for something that is as interesting and as compelling like the Milky Way, then you have reached the right planet.

The Nashville original; composer, musician and producer Stephen Hammond is the mind (and skull) behind all of it, as he conjures up the bending wizardry that compiles all -possibly known Rock oriented- genre you can find in a deviously drafted and produced album (of the same name)

It should sufficiently entice any music lover’s interest: I have found the traces of Enigma to Metallica and Priest to Crow on just one track (The road to Sto-Vo-Kor) which was enough to draw implicit attention from me.

(If only they had added a flute player I would have added Jethro tull in the list, especially with the sir name Hammond of the founding member)

Reportedly, Stephen Hammond has been producing professional music (putting out music albums) ever since 2008, afterwards; he add bassist Jason Schond, his brother Brett Hammond on guitars, and Adam Dennis on drums (in the respective order). The actual band (with the name Froskull and current line up) settled in 2012.

All of the musicians in the lineup are equally polished; exploring wild eccentric pan-genre compositions, laden with intricate beats and timings, trickily infused bass lines, topped with searing guitar solos and plenty of meat in terms of riffs!

The four piece band has enough zeal and skills to seriously equate with a 24 piece orchestra.

The phrase ‘Flight of the imagination’ is ringing through my head, as I have just finished listening to the Froskull playlist, a 4th time in a row.

I wonder if they can come up with a song based on it…

Cherries on top!

Filed Under: Reviews Tagged With: Crow, dark, eccentric, Enigma, Froskull, Metallica, Nashville, new music, Priest, Progressive, review, reviews

If there’s a band we want to see in the UK…

February 3, 2015 by Mehdi 'Eddy' Hassan

I would be unfair to cradle Slow Burning Car in just one big creative embrace. They have a wide spectrum of vibes emanating out of their musical instruments.

Slow Burning Car - The Scattering Vol.2I developed this ‘discourse’ especially listening to their latest album ‘Assumption’. The output is varying in sounds from RnB to Heavy Metal. Some songs play like ‘Red Hot Chili Pepper’ and some appear to have fallen out of Robert Plant’s retro Led Zeppelin closet.

When the song ‘Tread Not on Me’ started, I had to check whether I had put on Eric Clapton’s playlist by mistake! The further surprise was: when the bridge part of the same song brought the blazing ‘Sex Pistols’ back into my ears; bizarre is the right word for it.

Slow Burning Car is: Troy Spiropoulos who handles Lead and backing vocals, as well the bass guitar (also stints with keyboards, sound effects etc.) Troy’s songwriting aspirations come from mythology/theology to the reality of life and common observations. The guitarist Duc ‘Jimmy’ Le is not only an established sound engineer, but he also has an impressive brand of hand-crafted effect pedals assigned to his name. Last but not the least is the drummer Mike Zimmerman; his open hi-hat floundering quite obviously hints at greats like John Bonham and Buddy Rich (hence the Zeppelin like feel in some of their songs).

Slow Burning Car - AssumptionThe music produced by this dynamic trio can be called ‘Experimental’, but this is the third studio album by Slow Burning Cars, so I would stick with the ‘Progressive’ element. To name a few from the past albums, the song ‘Fabien’s Stroll’ from their second album ‘The Scattering – Vol.2’, gave me some goose bumps. Its eerie, it’s psychedelic, and it is much more enchanting than any other (ballad) songs they produced. My second pick would be ‘The Scorpio Complex’ for its raw n inclusive psychedelic experimentation; it sounds as if the whole band got into a minivan and recoded it live….

From a creative perspective, their previous albums (Blow Back and The Scattering) are more colorful, while Assumptions has a straighter to ‘Alternative Rock’ approach. It is noticeable that the band is finally settling down for a ‘Sound’. It is also evident that, as a band, Slow Burning Car had been more focused on the ‘Live Sound’ rather than their studio outputs.

There is one unique quality emerging out of their experimentations: they have a different (yet classical) touch in their ballads, so my analysis (suggestion) would be, to hear them focusing on the ballads and more on singer-songwriter genre than their efforts to please a live crowd with piercing and grungy acts.
Slow Burning Car is doing circuit around Los Angles, California, while also touring Europe (UK).

Peace and Love, in the troubling times!

Links
Slow Burning Car’s Official Website

Filed Under: Reviews Tagged With: alternative rock, Ballads, Bass Guitar, Blow Back, Buddy Rich, California, Classical, creative, Duc ‘Jimmy’ Le, Eric Clapton, Experimental, Fabien’s Stroll, Grungy, guitarist, heavy metal, John Bonham, keyboards, Led Zeppelin, Live Sound, Los Angeles, Mike Zimmerman, mythology, new music, Progressive, psychedelic, Red Hot Chilli Pepper, review, reviews, RnB, Robert Plant, Sex Pistols, Slow burning car, sound effects, The Scattering, The Scattering Vol.2, The Scorpio Complex, theology, Tread not on me, Troy Spiropoulos, UK, Zeppelin

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