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Full-bodied sound from Sentinel

April 16, 2015 by Casey Douglas Leave a Comment

Pectus Excavatum is a condition that causes the chest to look hollow due to deformity in the growth of the ribs. It can lead to cardiac and respiratory problems but I’m thankful to say, from the sound of Sentinel’s album Pectus Excavatum, there is no sign of the latter in Tom Watson’s vocals, nor any lack of heart in Louie Penfold, Dom Skinner, Richard Shearing’s playing.

Consisting of three tracks, the album is a compact and incisive mix of catchy hooks, fast-paced beats and crisp riffs. New Dawn has an infectious drumbeat, melodic guitar swells and a great expansive chorus. Even though the band lists Killswitch Engage, Bury Tomorrow and Trivium as influences, this track made me think a little of Tool in places. The Crown is a gritty track with an even faster-pace, growled lyrics and a blistering solo followed by a swaying heavy riff pattern. I Am Lucifer begins like a gentle breeze but suddenly turns into a gale as full-strength sound and distortion erupts into a pounding assault that is only punctuated with, you guessed it, another hook-laden chorus.

SentinelSentinel tick the boxes for me when it comes to giving an opinion on a metal band. I love brutal music and harsh, shouted lyrics, but I always have a soft spot for a catchy and sweetly sung chorus. I guess I like the storm followed by the calm, before the next storm. Music without this dynamic grows a little boring and tedious for me. Sentinel avoid this pitfall and give the listener a saliva-filled gust of feeling, carried in the space that the more relaxed chorus gives.

The band has a couple of gigs coming up at South Sea live, Broomhill, Sheffield in the next few months. The first is on the 19th April, the next the 30th April. I highly recommend you go and see them if you can, as if Pectus Excavatum is anything to go by, you are in for a treat.

Pectus Excavatum can be purchased on Bandcamp for any price you decide here : http://sentinelbanduk.bandcamp.com/releases

Filed Under: Reviews Tagged With: Bandcamp, Broomhill, brutal, casey, douglas, free, harsh, heavy, I am Lucifer, Killswitch, Metal, New Dawn, Pectus Exactum, review, Sentinel, Sheffield, studios, Trivium, WMD

You’re Smiling Now But We’ll All Turn Into Demons

April 7, 2015 by Casey Douglas Leave a Comment

Demons

Population IV is the Portsmouth band’s latest album and it’s certainly a textured and flowing listening experience. From the airy vocals of The Sorcerers to the easy rhythm of Hothouse, the album takes you on a fuzzy and infectious trip through the hills and valleys of wah wahs and deep riffage.

I like my music to conjure images in my mind and to that end, Population IV doesn’t disappoint. There were two tracks that did this especially well. Chapel Perilous starts with a laid back and light melody that eases you into a pleasing rhythm before turning heavy as hell around the midpoint. If there was ever a soundtrack for a weary traveller climbing to a mountaintop temple only to find it has been overrun with demons, this is it. The other track I wanted to mention is Hothouse, the almost sun-infused riffs igniting the images of a long desert highway and a roaring biker riding into the sunset, relaxed and cruising before gunning the bike to even greater speed as the track tempo ramps up towards the end.

DemonsAll of the tracks are enjoyable, expansive and a great accompaniment to whatever you might be up to, infusing the air with the psychic feelings of flow, ease and groove. They’re also a great listen as the main focal point of your attention; the textures and flourishes in the rhythms and guitar enough to hook your mind like a floundering fish and still its motion as it dangles on each note.

The band formed in Portsmouth in 2002 and consists of Thomas Bone, Steve Hanby, Ryan “Howitzer” Howarth and Richie Troughton. They have a number of gigs coming up in the next few months: March 8th at the Shacklewell Arms, London, and on May 2nd at the Kraak Gallery, Manchester. Go and see them if you can, you owe it to yourself!

You can hear Population IV on the band’s BandCamp page here.

Filed Under: Reviews Tagged With: band, bone, casey, chapel perilous, douglas, hanby, heavy, hothouse, population IV, portsmouth, psychedelic, Richie, riffage, Rock, Shacklewell arms, steve, studios, the sorcerers, Thomas, troughton, WMD, YSNBWATD

An absolute motherfaster!

January 20, 2015 by Mehdi 'Eddy' Hassan

Well, whoever holds the opinion that ‘Rock is Dead’ should face the Motherfaster!

MotherfasterThe above statement is a light in the dark for all lovers of heavy and pounding sounds of ‘Heavy Metal’ and Rock: from those who have had cut down their locks and cried in the night hearing Justin Biebers’ being played over and over on the radio, to those who have sold their soul and taken the distortion pedals out of the effect’s chain –to produced cleaner/lighter sounds- just to feed their (Sunday School going) kids…

Ironically, Motherfasters is producing the darkest music (in their genre) that I have heard in the contemporary acts so far. Their menacingly corrupting songs include tales of a wide range of insane realities: from topics like drug-sex-abuse to serial-rapists and laments-of and about-gods to underworld-gangsters.

Yeah, not the stuff for Sunday Schools…

Motherfaster is: a three piece ‘Rock Machine’, driven by the Ozzy influenced vocal antics of Paminos (who also holds the Bass guitar) with Bill fanatically rendering riffs after riffs; that could put smiles on Toni Iommi’s face, and then they have Jim thrashing drums -while keeping the trio steady at the same time. The trio is (surprisingly) from Athens, Greece. These three got together in the fall of 2011, and after some initial experiments (and around a dozen gigs during 2012, 2013) they took the applause of their fans seriously, and conjured up a studio album (March 2014).

In November 2014 they released the first single ‘The nymph and the god’ which was featured in the compilation CD Fear Candy No 138, that comes with Terrorizer magazine (Issue 254) along with some other existing bands.
It is needless to say, but the moment you play Motherfaster, the first thought that hits you is: “Oh my god, this is the rebirth of Metal…”

If I hadn’t been keeping an eye on the aging monsters of Black Sabbath, I would have mistaken Motherfaster for their pseudo name. Motherfaster has got the same musical chemistry going, only with a refreshed and original zeal.
Their sound ranges from Hard (Blues oriented) Rock to Heavy Metal, very much into pioneer’s style, and the feel of it tells about the varying influences of Sabbath, Pantera, Judas Priest and even Black Label Society at times.

My favorite pick is 24/7 (the song about Mafia Guy) with its in-your-face attitude. So far Bill has impressed with his guitar chops, but I would love to hear him using less takes/layers during guitar solos.

In conclusion, Motherfaster gets thumbs up from me; with a middle finger attached to it…

Links:
Motherfaster Official Website
Motherfaster on ReverbNation

Filed Under: Reviews Tagged With: Athens, Bass Guitar, Black Label Society, Black Sabbath, Blues, darkest music, drums, fear candy, Greece, heavy, heavy metal, Judas Priest, Metal, Motherfaster, new music, Ozzy, Pantera, pounding, review, reviews, riffs, Rock, Rock is Dead, rock machine, Sabbath, Terrorizer magazine, The nymph and the god, Toni Iommi

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